By Christopher Reed
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Additional info for Art and Homosexuality: A History of Ideas
Brooks claimed to dislike The good of Loneliness, yet her representations of contemporary lesbian id, like Hall’s characterization of Stephen, sexologists’ deﬁnitions of the “invert” whose dress and comportment show up attributes of the other gender. In Brooks’s 1924 portrait of Hall’s lover Una Troubridge, herself an beginner artist, the distinction of the ﬁgure’s masculine tuxedo-like outﬁt, monocle, and brief hair together with her female lipstick, rings, and lapdogs is so severe that a few audience interpreted it as comic strip (Figure four. 9). The concord of grays, general of Brooks’s paintings, pronounces a classy declare to sophisticated creative sensitivity, and critics in comparison her work to the prose of either Proust and Wilde. even though this portray used to be exhibited in long island and Paris in 1925, it used to be refused in London, the place Troubridge’s notoriety for leaving her aristocratic husband for Radclyffe corridor heightened the image’s provocative impression. Brooks herself wrote approximately it to Barney: “Una is humorous to color. Her get-up is striking. she's going to . . . reason destiny generations to 116 paintings AND HOMOSEXUALITY smile. ” Like Brooks’s dismissal of The good of Loneliness, even though, such reviews are dicy to simply accept at face price, for a part of the classy stance used to be to stay wittily aloof from earnest self-revelation, and Troubridge’s androgynous outﬁt and coiffure resemble Brooks’s personal. Sexology’s inﬂuence on Barney’s circle of well-read ladies can also be glaring within the paintings of Djuna Barnes (1892–1982). Barnes, one other American, all started her profession as a journalist and illustrator proﬁcient in quite a few kinds. earlier than relocating to Paris round 1920, she produced a pamphlet of poems, The e-book of Repulsive ladies, with images imitating Beardsley’s variety and poems describing fantastical half-breeds who blur limitations among races and among people and animals in methods analogous to the sexologists’ descriptions of homosexuals as blurring barriers among the organic different types of female and male. Barnes’s 1928 publication, the women Almanack, used to be a ribald present to her newfound group in Paris, satirizing the prose and images in outdated almanacs to sketch the ladies in Barnes’s circle (Figure four. 10). Una Troubridge used to be girl Buckand-balk, who “sported a Monocle and believed in Spirits,” whereas Barney used to be Evangeline Musset, who “had been constructed within the Womb of her such a lot mild mom to be a Boy, while for that reason, she got here forth an Inch or so much less of this, she paid no Heed to the mistake. ” This manlike lady “was in her middle one Grand pink pass for the Pursuance, the relaxation and the Distraction, of such ladies as within the prevent components, and their Fore components, and in whatever components did undergo them such a lot. ” Barnes’s shrewdpermanent Almanack, anonymously released in a really small variation, used to be infrequently recognized open air her circle. Her luck got here with a 1936 novel, Nightwood, which used to be loosely in keeping with her unsatisfied affair with the artist Thelma wooden and drew seriously on her reports one of the expatriate lesbians in Paris.